Elaine White's Life in Books

The Author


Elaine White is the author of multi-genre romance, covering everything from paranormal, crime and contemporary. Growing up in a small town and fighting cancer in her early teens taught her that life is short and dreams should be pursued. Living vicariously through her independent, and often hellion characters, she lives comfortably at home with a pack of wolves cleverly disguised as one standard poodle. The Winner of two Watty Awards – Collector's Dream (An Unpredictable Life) and Hidden Gem (Faithfully) – and an Honourable Mention in 2016's Rainbow Awards (A Royal Craving) she has explored the worlds of multiple genres, but remains a romantic at heart. A self-professed geek, Elaine has fallen in love with reading and writing LGBT romance, offering diversity in both genre and character within her stories.


The Reviewer


I’m an author and reader, who just can’t get away from books. I discovered the MM genre a few years ago and became addicted.

Top #50 UK reviewer on Goodreads
#1 reviewer on Divine Magazine

The Wanderer (Chronicles of the Riftlands #1) by Rowan McAllister
The Wanderer (Chronicles of the Riftlands #1) by Rowan McAllister

After centuries of traveling the continent of Kita and fighting the extradimensional monsters known as Riftspawn, mage Lyuc is tired and ready to back away from the concerns of humanity. 

But the world isn’t done with him yet. 

While traveling with a merchant caravan, Lyuc encounters Yan, an Unnamed, the lowest caste in society. Though Yan has nothing but his determination and spirit, he reminds Lyuc what passion and desire feel like. While wild magic, a snarky, shapeshifting, genderfluid companion, and the plots of men and monsters seem determined to keep Lyuc from laying down his burden, only Yan’s inimitable spirit tempts him to hang on for another lifetime or so. 

All Yan wants is to earn the sponsorship of a guild so he can rise above his station, claim a place in society, and build the family he never had. 

After hundreds of years of self-imposed penance, all Lyuc wants is Yan. 

If they can survive prejudice, bandits, mercenaries, monsters, and nature itself, they might both get their wish… and maybe even their happily ever after.






Book – The Wanderer
Series – Chronicles of the Riftlands, 1
Author – Rowan McAllister
Star rating - ★★★★★
No. of Pages – 200
Cover – Historical, Adorable!
POV – 3rd person, dual POV
Would I read it again – Yes!
Genre – LGBT, Historical, Fantasy, Magic, May/Dec
Content Warning – references and alludes to rape (nothing graphic), off-page beatings, slavery

Reviewed for Divine Magazine

I've been a fan of Rowan McAllister's work ever since I read their Historical Greatest Hits. I've loved everything they ever wrote, since then, and this is no exception. The Wanderer is a great fusion of historical and fantasy, combining romance, magic, and action into a novel that will steal your heart.



When it comes to characters, the story is centered on the two MC's Lyuc and Yan, as well as Lyuc's horse (bear with me) Bryn.

Bryn is actually a genderfluid other being. Bryn is created from the Rift, a Spawn from another dimension, but far tamer and more human-friendly than any of the others who slip through the Rift and must be hunted by Lyuc and sent back to their own plane. Bryn mostly presents as a horse, but has shapeshifting abilities, and appears as both a male and a female human at times, but is mostly referred to as 'he' when in his horse form.

Lyuc is an ancient wizard, once thought a God, who made a mistake centuries ago and is enduring self-induced penance to try to make up for that. As the creator of the Rift, he hunts the Spawn creatures who come through – often against their will and without any knowledge of the human world or how to survive in it – and sends them safely home. But, he's also a wanderer, travelling as an old man, who does little magic for fear of being caught by the humans who believe him dead. Both the King's witches, the Scholomagie in Samebar, and a secret organisation called the Brotherhood of Harot in Rassa, would cause a war in an attempt to gain the knowledge only Lyuc possesses.

Yan is an Unnamed, or Nameless. He is a child whose parents died or abandoned him and he was never given the mark of a Named – a tattoo on his wrist, to mark him as someone with a family, and the grace of a last name. For this, he's treated like a servant, the lowest caste in existence, and has no ability to refuse a Named anything. Even when that means being beaten, whipped, accused of theft, or forced to perform sexual acts. Yet, Yan's spirit isn't crushed. He's managed to retain a piece of himself, his personality, his anger at the unfairness of his position in the world, even when it gets him into trouble.



When it comes to the storyline, there is one recurrent theme and that's about Lyuc's past. He's in the human world to make amends for messing it up in the first place, hunting the Spawn and trying to keep the Rift from doing any more harm. He's hopeful – and it's mentioned as discussed frequently throughout – that the Rift is close to closing.

The secondary plot – though it takes more pages than the primary – is that of the romance between Lyuc and Yan. The reason it takes nearly 80% of the plot to explore is because there's a delicate political undercurrent to their communications. With Yan an Unnamed and Lyuc a Named, they have to make sure that any and all public meetings are considered appropriate. At the same time, Lyuc begins the book hopeful that his penance is almost over, that he'll be able to close the Rift and die soon, his job completed. He has no interest in starting something with Yan, no matter how many times the young Unnamed offers.

Part of what I loved so much about the plot was that Yan was the instigator in all things romantic. It started out slowly, with small acts of kindness from Lyuc and appreciation from Yan, then grew into a natural attraction. I worried, at first, that Yan only offered because he thought it was expected of him and because he wanted to repay Lyuc, which made Lyuc's reluctance more than natural and a relief. There was no insta-love, though it was clear they were both attracted to each other, but both had reasons to resist that attraction. The fact that Bryn had to shove them together, more often than not, was a really nice addition to the plotting. It forced Yan and Lyuc into situations where the chemistry was palpable and unavoidable, even if they did keep resisting it. It was a nice change from the urgency in most other stories to get the couple together as soon as possible.

There was no rush. I liked that about the plot. It dealt with small, but important, instances for the first half of the novel, then became more action packed and progressed towards the expected acts in the second half. It meant that the first half allowed us to learn about the characters, to explore who they were and what their goals were – Yan to get a better life, and Lyuc to close the Rift – and to appreciate the slow build of their chemistry and how Bryn fitted into that dynamic. The second half built on that information, adding a layer of complexity that forced Lyuc and Yan to leave the caravan they were travelling with and face the dangers of travelling alone and facing the Spawn.

While the plot is dual POV, Yan doesn't get his POV until Chapter 4. This is due to the fact that he's only introduced through Lyuc's POV and, at first, only in the role of someone that is preyed upon and little more than a servant. It's only when he gets his own POV that we get to see the strength inside of Yan and how he's much more than what society has made him.

The servant/master roles were used in a lovely plot point that brought them together but roles which neither of them were really prepared or willing to play. It was nice to see Lyuc's rejection of the very idea of Named and Unnamed, after all his centuries in the world and all that he'd seen, while trying to help Yan see that not conforming to the Unnamed demands on his personality and behaviour was no bad thing at heart, but that it could get him into trouble in the wider world. Seeing how Lyuc and Yan became better people when with each other was beautiful.



I loved the story and the characters, how it all came together and felt like a complete novel as well as the beginning to a series. The characters stole my heart right from the beginning – Lyuc with his weary-of-the-world mentality and Yan because of his feisty nature – and I never really got over it. Through all the action and the Rift plot, I was so engrossed in their relationship that I didn't mind the HFN ending. Though the Rift plot line isn't finished, it was pretty well rounded off for what Lyuc and Yan had experienced so far that it made sense not to rush it. It will continue in the next book and I can't wait to read that.

The inclusion of a Glossary was very helpful, right at the end, for clarifying things, and the fact that it was marked in the Table of Contents meant that I could bookmark it before I started and refer to whenever I wanted to. But, the story was so well explored and the world building well written that I never really needed to use it. Everything was easy to understand as and when it came along within the story.

Were there any down sides? Well, after the Acknowledgments there was a page that said “Map” but there was no actual map. Other than that, I had zero issues with the editing or plot gaps. Exactly the kind of dedication to attention to detail and world building that I've come to expect from McAllister.


Favourite Quotes

“Astria of the Southern Lights, thank you for bringing me Lyuc. I promise to do everything in my power to show my gratitude and treasure the gifts you have given me, and to bring offerings every day to your temple in Zehir.”

“He'd done that. He'd made this thousand-year-old gorgeous wizard of immense power care enough to be upset by losing him. He would carry that knowledge with him forever. He could take it out and marvel at it in bad times and good.”

Source: http://www.goodreads.com/book/show/39711918-the-wanderer
"It had been a shitty night, so it was fitting that it should end with rain.
He closed his eyes and lay where he was, ready for it to stop. The rain, the cold, the pain, the aches, the blood choking the back of his throat, the metallic taste on his tongue. He wanted an off switch to his life; to get it over with. There wasn't much point fighting; he didn't have anything to fight for. He had his family and Levi, but something in his heart said that wasn't enough anymore.
He didn't want to be alone."

Right Kind of Wrong

book 3 in the Decadent Series

by Elaine White


Source: http://smarturl.it/Decadent.Series1-4

Facts About Me: Dream Castings

I'm a sucker for always making dream casts for my books, so I thought I'd share some of my favourites with you. Now, I don't like to go the obvious route and choose the big names. I prefer to find people who match the look, the personality, and the style of the characters, even if no one has heard of the actor/actress before.




The Trade










The Royal Series





Forged in Fire





Following Orders





Decadent Series




Teaser Tuesday: The One That Got Away


The One That Got Away, by Elaine White


Can Bradley finally capture the one that got away?

#theonethatgotaway #lgbtq #indieauthor #mmromance



Source: http://smarturl.it/TOTGA.EW
The Atrocities by Jeremy C. Shipp
The Atrocities by Jeremy C. Shipp

Netgalley TBR


Jeremy Shipp brings you The Atrocities, a haunting gothic fantasy of a young ghost's education

When Isabella died, her parents were determined to ensure her education wouldn't suffer.

But Isabella's parents had not informed her new governess of Isabella's... condition, and when Ms Valdez arrives at the estate, having forced herself through a surreal nightmare maze of twisted human-like statues, she discovers that there is no girl to tutor.

Or is there...?

Source: http://www.goodreads.com/book/show/36353985-the-atrocities
"“Wait a minute. Are you saying that if I wanted to…” he asked, but found that he didn't want to
embarrass Grayson by saying it. His eyes went there any way. They focused on his crotch
without shame, wondering if he would get to remove clothes.
“Yes,” he nodded.
“And you'd let me? Why?” he asked, too stunned to do anything else but ask.
“Because it's not your fault I'm straight. And it's not your fault you're attracted to me. If I can't give you everything you want I can at least give you a birthday to remember, right?” Grayson smiled.
Konnor felt like kissing him so hard he wouldn't be straight any more."

The Other Side

book 2 in the Decadent series

by Elaine White


Source: http://smarturl.it/Decadent.Series1-4

Facts About Me: My 2018 TBR: Netgalley

I have LOADS of books on my TBR list for 2018. I have about 250 just for Netgalley, not including a mountain of paperbacks that I bought throughout the year, and a whole lot more e-books that I bought or that were on sale over the last year or two.

This post will focus on those books that I've been accepted for on Netgalley. The list is now a lot more than it was at the beginning of the year; a whopping 354 books (as we speak). I've actually created two spreadsheets to divide my lists and make them more readable; one is for series books and the other for solo novels. This means that I can view at a glance the series books, how many more are in the series and how many I've already worked through. Once a book is read, I delete it from my list so that I can view how many are left in total.

The one problem I've found with Netgalley is that most of the books are ARC's, which means they're not always on Amazon or Goodreads when they come up for request. That means that I can request a book and not know that it's part of a series until months later, perhaps before I've started reading it. Which means that my TBR list grows exponentially. Such as when I was approved a book that, eventually, turned out to be book #4 in a series. So, I had to go and buy the other 3 books, because I cannot abide reading a series out of order.

The books listed here are the ones that I've already marked to be read this year. There are a mountain more to be read, but these are the ones that I'm trying to get done first.



44 Scotland Street 1-12, by Alexander McCall Smith (1 for Netgalley)

Alex Cross 1-20, by James Patterson (2 for Netgalley)

Blackstone 1-6, by Richard Falkirk

Hell Divers 1-3, by Nicholas Sansbury Smith

Bitter Moon Saga 1-4, by Amy Lane

Ishmael Jones 1-3, by Simon R. Green (1 for Netgalley)

Kingfountain 1-6, by Jeff Wheeler (3 for Netgalley)

Maeve Kerrigan 1-7, by Jane Casey (2 for Netgalley)

Miss Phryne Fisher 6-19, by Kerry Greenwood (4 for Netgalley)

The Copper Cat 1-3, by Jen Williams

Yancy Lazarus 1-4, by James A. Hunter

The Vengeance Trilogy 1-3, by Devin Madson (1 for Netgalley)

David Raker 1-9, by Tim Weaver (3 for Netgalley)



A Son of the Sun, by Fabien Nury

The Atrocities, by Jeremy C. Shipp

NuBiAh, by Thomas Jones

Forward the Hunt, by Lotus Oakes

Evergreen, by Geneva Vand

Experiment Number Six, by Mina MacLeod

The Adventures of Technicality Man, by Jessica Meats

Brass Automaton, by Mark Gardner

Hammers on Bone, by Cassandra Khaw

Archer Coe and the Thousand Natural Shocks, Vol. 1, by Jamie Rich

The Falcon of Sparta, by Conn Iggulden

The Forbidden Harbour, Vol. 1, by Teresa Radic

Guess Who, by Chris McGeorge


As you can see, I probably won't be able to get all of these read in 2018 (or what's left of it) but I'm certainly going to try. If you've read any of these, I'd love to know your thoughts (good or bad) and if you're intrigued by them, check them out! I've included the links to the Goodreads pages so that you can read the blurbs if you want to.

Happy Reading!


Teaser Tuesday: The Reunion


#teasertuesday #newrelease

Decadent: The Reunion, book 5 in the Decadent Series, by Elaine White


This reunion could be one to remember...for the wrong reasons.

#Decadent #lgbtq #indieauthor #mmromance



Source: http://smarturl.it/Decadent.TheReunion
Tremontaine: The Complete Season One, by Ellen Kushner,  Alaya Dawn Johnson, Malinda Lo, Joel Derfner, Racheline Maltese, Patty Bryant, Paul Witcover
Tremontaine: The Complete Season One, by Ellen Kushner, Alaya Dawn Johnson, Malinda Lo, Joel Derfner, Racheline Maltese, Patty Bryant, Paul Witcover

Welcome to Tremontaine, the prequel to Ellen Kushner’s beloved Riverside series that began with Swordspoint! A Duchess whose beauty is matched only by her cunning; her husband’s dangerous affair with a handsome scholar; a foreigner in a playground of swordplay and secrets; and a mathematical genius on the brink of revolution—when long-buried lies threaten to come to light, betrayal and treachery know no bounds with stakes this high. Mind your manners and enjoy the chocolate in a dance of sparkling wit and political intrigue.

Tremontaine is an episodic serial presented by Serial Box Publishing. This collected omnibus edition gathers all 16 episodes from Season 1.






Book – Tremontaine (Season One)

Star rating - ★★★★☆

No. of Pages – 462

Cover – quirky and clever!

POV – 3rd person, multi character, often omni-present

Would I read it again – Yes!

Genre – LGBT, Fantasy, Serial, Historical, Coming-of-Age, Queer

Content Warning – mild violence, sexual situations, adultery/cheating, prostitution

Orientations – MM, MF, FF






This is my second Serial Box production and I'll admit that I loved the beginning of the other series 'ReMade' but had trouble with the fact that so many various authors wrote parts that made up the whole. Some authors voices didn't work, for me, but that isn't a problem I had with this series. For once, though each author's voice is very talented, I could easily have read this from start to finish without knowing there was more than one author. They all tried to keep the same “voice” and atmosphere to their shorts that made it possible to read each one as a new chapter in a whole cohesive story. Characterisation, setting, mood, and the attention to detail never slipped.




Episode 1: Arrivals, by Ellen Kushner



Length: 0-9%


This was a great first start to the series. I loved Kushner's writing style and the clever way that such a complex world – a mix of historical and fantasy – was built and portrayed. For a story advertised as just 49 pages, there is a lot to take in, here.

We're introduced to a lot of characters, but the most important are those that give their POV: Duchess Diane Tremontaine, trader Ixkaab Balam, and the young farm girl disguised as a boy Micah.

Diane is traversing the dangerous political waters of women married to men in the Council of Lords, while navigating successfully through the quagmire of social scandal, such as her friend Lady Galing's husband's open affair with Lord Asper. Both of whom (Lady Galing and Lord Asper) appear to have a major hand in what might transpire in the future. They're both intriguing side characters and both have the possibility of improving Diane's unfortunate family issue of debt.

Ixkaab is a trader, sent away from one part of her family (mother/father) to another branch (aunt/uncle) because of something she did that she shouldn't have. What that is, we don't know yet, but her journey is interesting, if not my favourite. She also had the fewest POV scenes, which may indicate her story isn't as important as the others, or that all of her important scenes will come in later issues.

Micah, for me, is my favourite. While I love Diane's sassiness and quick wit, Micah is wholly innocent, naÏve and completely unprepared for the journey she goes on. I fully expected her to be revealed for the girl she is, or taken advantage of, every time she met a new character, so I was pleased to find this didn't happen. In fact, the exuberant and passionately enthusiastic Rafe takes her under his wing. And I can't wait to find out how that pans out.

Overall, I loved how it was all woven together and I suspect that the three individual stories will wind together later. I loved the openly acknowledged gay relationships and how that was handled, as well as the undercurrent of there being something we're not being told. I did have an issue with some of the text being a different font (always in Ixkaab's POV) and her name being interchangable from Ixkaab to Kaab, with increasing inconsistency.

I'm intrigued to keep reading.


Favourite Quote


“She had never seen anyone whose face lit up as much as his. His eyes were like stars, like the first stars of evening that appeared while the low sky was still blue around the edges. Micah always wished on the first star.”




Episode 2: The North Side of the Sun, by Alaya Dawn Johnson



Length: 9-16%


This was an interesting follow up to episode 1. Told in a similar style, thankfully, so I had no trouble continuing on from one to the other, and all the characters were likeable and recognisable.

I'll admit, I'm not a fan of bracketed information being slipped into the narrative, so that bothered me a little, especially when it was mostly unnecessary.

This episode focused more on Rafe and his experiences, right from the start. Though it included Ixkaab's POV, and shared the plot equally between Ixkaab and Rafe, there was a lot more of Rafe than the previous episode, which I loved, nothing of Diane on page, though she is mentioned more than once, which was a shame, and lots of Micah through both POV's, which was awesome. I found myself just as much in love with Rafe and Micah as before, though I do have to admit that I was totally shipping Rafe and Duke Tremontaine, despite the Duke being married! I found the Duke to come across as much younger than he read in the previous episode, but since no age has been determined and he admitted to a previous gay affair in episode 1, I'm open minded about his age and that he might just be a naturally charming and youthful personality. I'd love to see more of him, especially with Rafe.

I also really came to love Joshua, though he was barely ever on page. The way he's explored through Micah and Rafe is enough to make me want to see more of him, this long-suffering best friend and sometimes-lover of Rafe.

The inclusion of a mysterious spy intrigued me and I'm eager to find out more about that.

Overall, everything that happened in episode 1 is continued on in this episode and built upon. Nothing is set aside or ignored. It's all woven together so nicely that I can't wait to read the next episode.


Favourite Quote


“Micah wrinked her nose. “Cousin Daniel tried to kiss me once. I hit him on the head with a turnip and he never tried again.”

Kaab laughed until she had to wipe her eyes. “I think that was very wise,” she said.”




Episode 3: Heavenly Bodies, by Joel Derfner



Length: 16-25%


Eeek! The Duke and Rafe!!! I can't say enough about it.

I loved the style of writing, again, but slightly more than before. There was something about it that felt somehow sharper, to the point, and increased the effectiveness of the already brilliant characterisation.

The plot focused almost solely on Ixkaab and Rafe, while also featuring Micah and Diane in their observations and experiences.

I don't think I need to say anything about how I felt about William (the Duke) and Rafe finally getting together for a little chocolate and tango. Just like Joshua, I could see the tide turning with the Duke, that Rafe was far too interested for his own good, that he broke his cardinal rule about second helpings, and again his new rule of not succumbing to traitors. I absolutely loved everything about both of them and their interactions. The chemistry was incredible.

There was a minor switch of font for about 3 lines, but nothing too excessive and it only happened once.

I loved Joshua in full tilt, getting to see him interacting with Rafe and seeing how their friendship functioned. He's an awesome guy and I hope he gets a piece of his own story later.

The timeline was very clear, letting us know how long it had been since the events of Episode 2, while exploring the events that had taken place there and compounding on them until there was even more intrigue and mystery. I began to like Ixkaab a little better, but I'm still not connecting with her. I still adore Micah, absolutely love Rafe and William, champion feisty Diane who really suffered this episode, and fell a little more in love with Joshua in the process.

I can't wait to see what awaits them in the next episode.


Favourite Quote


““You,” he said, with a grin on his face as wide as the river that flowed past Uncle Amos's farm, “are a prince among men; nay, a king, an emperor, a god. This calls for kidney pie. And a great deal of beer.”

“No,” said Micah.


“Not kidney pie. Tomato.”

“As long as the beer comes with it.””




Episode 4: A Wake in Riverside, by Malinda Lo



Length: 25-32%


Well, this was an interesting one. Full of things going on, lots of decisions made, and yet, it felt shorter than some of the others, yet so full of clever little twists and turns.

Things are heating up for the Tremontaine family, and it's the first real POV we've had for William, and Diane is back, so we get to see it in a lot more detail. I love how formiddable Diane is, but I also love that I can feel that she's backed into a corner and how worried she is. William is completely oblivious, but there's a certain charm to that, because it's Rafe who is occupying his mind all the time. Which, by now, I'm sure you'll realise is something that I'll never complain about.

While I'm still not totally warmed up to Ixkaab, and I still think her attentions towards Tess are bordering on the obsessive, I did finally see where her part of the story was leading. If she can find out, and prove, who killed Ben, then that will change everything! But, she doesn't even realise how much it will impact her own family, too.

Just as no one realises what a boon Micah and Rafe's current project could be in increasing the Tremontaine fortune, if they just paid close enough attention.

I also love that we finally got a hint of William's age (grey at the temples) so we know that, whether Rafe is a teenager (as he somehow behaves) or just a hot-headed twenty-something, we have a May/December romance on the go. What I really love about these two is how irresistible it is between them; they don't want to be caught up in this surprising, sudden attraction, and they don't particularly like it, but they can't resist, either. And, as Joshua and Thaddeus pointed out, it could benefit both of them if they just keep their minds open. Yet, I also love the fact that they have a push-and-pull relationship. They argue, they fight, they have completely different views on things, but it works for them. It makes their chemistry all the more explosive. And I see explosions in the future, now that Diane knows what they're up to.

Joshua continues to impress me. He's such a clever little manipulator, who knows all the right buttons to push to get Rafe to do what is best for him, especially when he can't see it for himself.

Looking forward to seeing how things progress, what Diane is going to do about Highcombe and Rafe, whether Micah will get her time to study in peace, and just how the whole Ben thing is going to end up.


Favourite Quote


“The duke gave him a gentle smile. “My dear,” he said softly.

Rafe's breath caught in his throat. My dear? Rafe tried to shake off the disturbingly warm feeling rising in his chest, but it was confoundedly difficult, especially when the duke was gazing at him with those blue eyes.”




Episode 5: The Dagger and the Sword, by Alaya Dawn Johnson



Length: 32-40%


Ooh, things are really getting hot!

So, the author of this episode took things in a different direction, by having time lapse, e.g. one scene is present day, the next is so many hours earlier. Sometimes it works, sometimes it doesn't, but this is one of those cases where it makes sense. Because, the present day scenes add a bit of spice and action, but also mystery, answering questions that are asked in the so-many-hours-earlier sections. So it was actually a really clever way of subtly and carefully providing the information we needed to follow this aspect of the plot.

Oh, Diane! Diane is really struggling, thanks to Rafe being so irresistible. I could feel her panic, the embarrassment of facing the fact that society had discovered William's affair and how badly it reflected on her. It was bad enough to feel the shock and surprise when she found out about it last episode, but this one really put forth the impact that an affair can have on the innocent party. Though, if her actions at the end of this episode are any indication, she doesn't plan to stay innocent for long. Beware a woman scorned, William!

Ixkaab is playing a dangerous game, but she's finally got what she wanted, with Tess, and they're one step closer to figuring out who killed Ben. I loved the fight scenes, they showed Ixkaab at her best, and I'll admit – it took me a while – but I'm finally warming up to her character.

I really loved the addition of Applethorpe. He has a history that no one knows about, is a local to Riverside, and is quite aware of the implications, after discovering who killed Ben, even if he doesn't know the why yet. Speaking of which, neither do we! But, this episode gave us some very good clues and indications as to what that reason might be, and just how dangerous it could be to Diane. And, in effect, to Ixkaab who has no idea that she's potentially sending her family into a financial tailspin.

Now, more than ever, the interwoven threads binding all the characters together can be seen and followed, offering a view of potential outcomes and dangers, if people don't play their part exactly to the letter. Like poor besotted William. There will be hell to pay, and I'm going to enjoy every second of it.


Favourite Quote


“She was an abomination, that woman, a small golden dagger with a poisoned hilt. Diane, Duchess Tremontaine,”


“He looked up and projected his voice. “And that means the rest of you louts had best leave these two be, because they are under my protection.”

The foreign lady objected to this. “Tess! She is under your protection.”

“Why can't you be?” He seemed genuinely curious.

“Because I'm under my own protection.”

“Fair enough,” he said. “Just Tess, then.” He walked off without another word.”




Episode 6: A Fair Hand, by Patty Bryant



Length: 40-48%


This was another shorter but interesting helping. There is still mystery abound, but the cracks are beginning to show in the calm, cool façade Diane and the others are trying to hide behind. I can't deny that I'm just waiting for the ball to drop and chaos to ensue.

A lot happened in this episode but a lot didn't happen, by which I mean that the main plot of this episode was the upcoming Swan's Ball, and it threw everyone into a tizzy. But, overall, there wasn't a lot going on within the characters themselves.

Rafe is finding it difficult to maintain balance, while dealing with an oblivious lover, an ever watchful and vengeful duchess, and too many things to do that he doesn't want to do. Micah is being manipulated and used, innocently, to improve all their lives, but constantly turned in the wrong direction and left to try to work out the mess they leave her in. Ixkaab is learning the subtleties of political intrigue and just how sneaky nobles can be about hiding their true intentions.

It's an interesting slip of an episode, with a whole lot of impact for the future.


Favourite Quote


“He smiled. “Yes, I think you'll beat them at their own game. Or maybe even make them play yours.””




Episode 7: The Swan Ball, by Joel Derfner



Length: 48-55%


I feel like I'm oohing and aahing over every other episode, but I can't help it. Each one just gets better and better, adding more to the story, adding more twists, turns, and mystery to what is already a twisty, turny plot of intrigue and mystery.

Here, Joel starts with what seems a confusing present tense, differing from the perpetual past tense used until this. This is used to differentiate Diane's dream sequence from the main text, which made a whole lot of sense when I realised its purpose. Nicely done, Derfner. It was a clever ploy and allowed for a nice switch into breaking the fourth wall. This was done twice – once at the beginning, and once at the end – to let us see the events of all parties without drifting too far into the unbelievable. Because, even omni-present POV can't account for explaining the circumstances of four to eight different people who aren't all in the same room as each other. Breaking the fourth wall, to tell us what was happening, was the only logical thing to do.

I loved the dream sequence, because it gave us a hint of just what secret Diane has been keeping and why it frightened her so much when Ben attempted to expose it. It partly explains her secret, the locket, and just why Ben had to be dispatched. I'm pretty sure it's got something to do with Diane's lineage, and a fatal carriage attack that undoubtedly led to Diane taking the place of someone far above her station. But, only time will tell if I'm right, and I'm holding the rest of my suspicions guarded until I know.

We had the introduction of three new characters in this episode, though I don't believe they'll reappear later. Their purpose was served here, as part of the fourth-wall break and brilliantly so. Still, I adored Andrew and Jack for their brief time as bored musicians, and poor Sapperton who was in way over his head.

I was so close to warning Rafe that he was playing a dangerous game when it all came crashing down around him and fixed itself back into working order. I was thrilled that he was aware enough that he wasn't enjoying his games, but I was also really worried that one false move would ruin everything. And I an NOT ready for my Rafiam ship to sink!

Oh, and while I did enjoy Micah and Ixkaab's parts in this episode, I have to give huge props to Aunt Ixsaabim for being a total kickass heroine! That party scene where she basically snapped her fingers and the entire family shot into motion was perfection.

Just like the ending.


Favourite Quote


“Rafe inhaled sharply, stopped short. Will turned, and at the sight of his face, Rafe felt the roiling inside him grow inexplicably more violent. He wanted to strike the man, he wanted to kiss him, to wrap him in his embrace, to tangle his fingers in his yellow hair, to caress every part of him not covered by clothing, to spit in his face.”




Episode 8: A City Without Chocolate, by Malinda Lo



Length: 55-63%


Hmm...interesting things are going on. Very interesting.

For me, I'm not overly fond of the writing style of this episode, as it has too many bracketted additions (a pet hate of mine) and ends with an inexplicable present tense scene that encompassed what everyone is up to at one time. While I appreciate that the change of tense is to show that it's different from the others, it feels unnecessary here. I much preferred the breaking-the-fourth-wall approach that Derfner adopted in the previous episode.

We're introduced to a few new characters that aren't really all that important in the grand scheme of things, but which start the ball rolling for other things: two chocolate sellers and one new swordsman. Their roles are to show the title – a city without chocolate – and the consequences of such, as well as the new swordsman offering intriguing information about Ixkaab's investigation into Ben's death, namely that Karleigh himself was once a fond receiver of his company.

Diane, as ever, is devious and shines throughout this episode as the master manipulator.

Rafe finally gets to sit his exam, though we only see part of it. But, my heart swelled right along with his when Will showed up in support.

Thaddeus, high as a kite, is utterly hilarious and I hope to see more of him in the future.

Overall, an interesting episode, but it lacked a little something that I can't place my finger on. Maybe because it focused on the lack of chocolate more than the characters I've come to know and love until now, and their own adventures. In the end, though, it all came together, but it was lacking something.


Favourite Quote


““I...are you a goat?”

Everyone at the table except for Thaddeus and Micah froze in horror.

Will blinked. “I'm sorry, young man. Are you addressing me?””




Episode 9: Lies In Our Stars, by Paul Witcover



Length: 63-70%


Yet even more intrigue! I swear, these lot never give up and I'm fascinated with every twist and turn they take.

Diane has a big part in the story, but only at the end, as she's plotting to remind the Balam's that they're not her equals, something that she's likely to regret. She has a tendency to underestimate people, despite her great powers of perception.

Micah has the biggest part, however, finally stumbling upon the secret that Ixkaab was hoping she'd never discover, and leaving it all in Rafe's capable hands. But, what he intends to do with that information could be careless or it could change everything.

It's so intriguing to watch it all unfold, knowing that there are multiple avenues the story could take, but never knowing which one will succeed.

For the length of it, it felt like a short episode. Maybe because it wasn't jumping through POV's quite as often as some of the others. But it certainly had a huge plot impact.


Favourite Quote


“Ah, gods, the duke had such a confounded effect on him! It was as if Will had put him under a spell...or, rather, Rafe thought, a curse. He had but to catch a glimpse of Will, or not even that, just to smell him, for his body to respond with a fervor he couldn't resist, had no desire to resist – on the contrary, he yearned more than anything to surrender to it. And surrender he did, repeatedly, holding nothing back, giving of himself to the very dregs. It was bliss. It was torture.”


“Home, he said. Nor had he been lying. Wherever Will was, there was his home. He knew that now.”




Episode 10: Shadowroot, by Joel Derfner



Length: 70-77%


No. No, no, no, no, no. It's not allowed to end like that. It's not even allowed to HINT at that!

Diane is a ruthless, unforgiving, devious cow and while I admire a strong woman, she's gone too far. My poor Rafe!

I love that William had been quite aware of Diane's ruthless nature and political mind before now, but he's still naive and a bit stupid about just what she's really like.

I want to know who Joshua is sleeping with.

I'm worried that Tess is not going to be okay by the time Ixkaab reaches her, despite what she just did.

There was a slip into present tense at the end, at the fight between Ixkaab and the swordsman, which I can't really explain.

Again, a lot happened in a short space of time. A lot of really, really important things. While I liked the academic additions – the letter and the extracts – I'm worried. And I have to go to bed worried, refusing to skim or search for the answers I need, but unable to stay awake for the next three hours it will take to read the last three episodes! I hope you're happy, Derfner!


Favourite Quote


““I await your wry comment,” said the duke, his voice barely a whisper.

Rafe answered him just as softly. “Alas, my lord. I have, for perhaps the first time in my adult life, none to offer.””


“Rafe couldn't believe these words were issuing from his mouth. “A wife is a very complicated thing, especially when she's a duchess. Make amends. I'm easy.”

Will smiled and cocked his head. “So I've been told.”

“Ah, but your information is, alas, out of date. Haven't you heard?” Rafe turned, impish, and sauntered away. He looked back over his shoulder to see Will smiling at him. “I'm in love.””




Episode 11: Go and Tell the Morning Star, by Alaya Dawn Johnson



Length: 77-84%



I didn't need a good cry, but I got one. Thanks for that.

Duchamp has mostly been in the background until now, like any good servant, but here he really shines. It's clear that he sees his loyalty and duty to William, first and foremost, so he accepts and helps Rafe as much as he can, while he's falling apart.

Rafe broke my heart, and that's all I'm fit to say about it.

Again, there were editing issues, and an incomprehensible switch to present tense for one scene, not even at the end of the episode.

There were hints of portents and imaginings, hallucinations and such. But it was a great sign that everyone was on edge and that no one is able to think clearly. The lines have been too blurred, too crossed and too many relationships built to hold a strong allegiance to anyone blindly.

All I can do is hope against hope that Kaab makes the right decision – which is to betray her family. Because, if she doesn't, I might fall apart right along with Rafe.


Favourite Quote


“Maybe love would be enough to counteract whatever force was battering at Will's mind.

Maybe it will be enough, Rafe thought, and looked up automatically for that star that could not speak. But all he could see were clouds.”




Episode 12: A Tale of Two Ladies, by Malinda Lo



Length: 84-91%


Damn it, Ixkaab! What are you doing?

And, finally, we begin to see the truth. Seventeen years earlier, how it all came about. Because, without Diane, none of this would have happened or been necessary. And selfish little Ixkaab is happy to lie to whoever is needed to get her happily ever after with Tess, but she's just made it likely that Diane will kill Will, Rafe and Micah! All of whom are innocent and only in this mess because of Ixkaab. Yet, what no one seems to realise is that all three could be shipped of to Highcombe, live in relative poverty, and still all be ridiculously happy, just to have each other!

My only hope is that Duchamp is loyal to William, and Rafe is loyal to William.




Episode 13: Departures, by Ellen Kushner



Length: 91-99%


It seems that holding out for even the hint of a happy ending was pointless. All I feel is a need to cry, deep sadness, and worry.

My poor Rafe was being manipulated, but I'm so proud of him for putting his love of Will before anything else, even a strong drug, to remember to be himself. I can see what his plan is, but I'm worried that he won't be able to accomplish it in time to do any good.

Just as I originally thought, Ixkaab is too selfish and self-absorbed to be someone I really like or want to read more about. She had the weapon in her hands that would solve everyone's problems, even her family's, and she wasted it on a deal she could easily have accomplished on her own. In fact, a deal that Rafe had already promised to make with her, but she wasn't smart enough to understand.

My heart is breaking for Will and Rafe, it looks like Micah's safety is in dire jeopardy, and Diane the wicked witch of the North is winning.

If I hadn't already agreed to read Season 2, I might not take the risk, because I don't want to see this kind of sadness spreading. But, I'll keep going so that I can, hopefully, see it all come around to fruition and see Rafe get his happily ever after.


Favourite Quote


Tomorrow, he thought. Tomorrow the gates will be opened. They cannot keep the world out forever. And they cannot keep me from my love.






This collection sucked me right into the world of Riverside and Tremontaine. I've not only added the paperbacks of all three seasons to my pay-day buy list, but I've also added the three paperbacks of the Riverside series. I just know that Kushner can't disappoint me, now.


The overall setting of the plot has strong hints of A Song of Ice and Fire, and The Fitz and the Fool Trilogy. All of which is to the good, because I love those books and that type of world. It adds enough historical possibilities to enough fantasy elements that I end up with the best of both worlds.


Every episode has a complete story arc all of its own, but which also pieces together with the other episodes to create a woven tapestry of an overall arc throughout the season. Each episode is just a small part of a bigger puzzle.


Each episode adds more and more mystery, asking and answering questions within each episode, that all boil down to one large plot that it intricately woven between a handful of characters:

Diane and William Tremonatine – Duke and Duchess – who are suffering financial difficulties that William is largely unaware of, because Diane has made some unwise gambles that didn't pay off, and is scrambling to fix the awful mess they're in.

Rafe – a talented, passionate scholar who falls head over heels for William, gets in the way of Diane's plots, and takes in the helpless, hapless, and innocently naive Micah.

Micah – a girl everyone assumes is a boy, due to her cousin's plan of dressing her so to keep her safe on the unfamiliar streets of the city. She's a farm girl with a head for numbers, exceedingly talented, and adorably innocent and unaware of the ramifications her numbers could have on an entire people.

Ixkaab – first daughter of the first daughter, fighter, member of the service, and irrascible hot-head. She's got a thing for Tess the Hand, a master female forger – huzzah for women's rights! – and skill with a blade and for spying. But, in trying to protect her family from one threat, she haplessly stumbles into ignoring another much more serious threat.

Applethorpe – a skilled swordsman, fascinated by Ixkaab's fighting ability, who has some secret past that took him his home of Riverside, taught him skill with the sword, and brought him back an even bigger mystery than before. He knows people, understands political undercurrents, and inadvertently drops himself right in the middle of a wasps nest of political intrigue and mayhem.


Through all these characters – all of whom provide a POV scene of their own, at some point, no matter how large or minor – have a bearing on the overall plot. Through their eyes (sometimes omni-present) we watch the mystery of the Tremontaine house unfold. And potentially disintegrate. And I absolutely love that it's Ellen Kushner who bookends the season, writing the first and last chapters. Although, I do have to admit that Episode 10, by Joel Derfner gave me a book hangover.


Yes, there were some editing issues, a few spaces before commas, inconsistent editing, a change of font issue, missing full stops, backwards quotation marks. Small things that would probably go largely unnoticed if I wasn't a naturally picky grammar/editing nazi. Which I hold my hands up to confess I am. Things that mean I can't give a 5 star, flawless, rating. Each episode contains editing issues and inconsistently use a single scene of present tense, that doesn't always make sense.


I have to mark what I have in front of me, and with those errors, and a few 4 star episodes amongst the rest of the 5 star episodes, I had to properly calculate the final rating.


That will not stop me from devouring Season 2 over the next week, nor buying all three seasons, and the entire Riverside trilogy, in paperback the minute I get paid.

Source: http://www.goodreads.com/book/show/29459081-tremontaine
"Konnor pulled away, out of his arms. He tugged his shirt sleeves over his hands and took a deep breath.
“I hate that I'm never going to see you again,” he said, shocking his system to the core.
“What? Konnor…” he tried to protest to that. He wanted to say that it wasn't true, that they had years to fix what had been broken, to move on and adapt. He tried to say something that would make him stay, but before he could Konnor turned and ran away. He wanted to go after him, but his feet were stuck; it felt like he was sinking into quicksand. “Konnor!” he shouted after him, but he was gone."


book 1 in the Decadent series

by Elaine White


Source: http://smarturl.it/Decadent.Series1-4

Facts About Me: Trigger Warnings

I spoke about trigger warnings in a post last year, that you can find here. Why am I writing about it again? Because it's important. Because it's one of those things that every author has to account for. It's a responsibility that we possess, as writers. It's our duty to our readers to provide them.

So let's discuss, by evaluating the biggest questions that surround trigger warnings:

Are trigger warnings plot spoilers?

NO! And this is one argument that really rubs me up the wrong way. Books nowadays come with notes/warnings such as: cliffhanger, HEA, HFN and so much more. Why do authors believe that those are not plot spoilers but a trigger warning is? The whole point of HEA and cliffhanger warnings is to warn readers who don't like those things - who want a perfect, clear ending, who don't want to pick up a book that has a cliffhanger etc.

Who does it harm when a reader picks up a book without a cliffhanger warning?

No one. Sure, a reader might be frustrated or annoyed by the lack of a warning. A reader might even downgrade a story/book/novel because they brought expectations to the book, believing it was a completed story, only to find that it's not. Either the story continues in another book or the ending is rounded off but not all the way complete because the plot continues in the next issue/edition/episode or novel. That's a personal thing and nothing that will seriously hurt anyone's feelings.

Who does it hurt when a reader picks up a book without a trigger warning?

Wow...so many answers to this. To properly answer this, we need to evaluate what a trigger warning is and what it should do. But, the general idea is that a trigger warning is a clear indicator of plot arcs or content that could be detrimental to a person's physical or mental health.

Here's the literal description, if you type 'trigger warning definition' into Google:

"trigger warning

  1. a statement at the start of a piece of writing, video, etc. alerting the reader or viewer to the fact that it contains potentially distressing material.
    "there probably should be a trigger warning for people dealing with grief"

There it is, in a nutshell. "Potentially distressing material." Which brings up to defining what that is.

What subjects require a trigger warning?

This can vary, according to personal ideas, but I generally think the accepted terms are that rape, child abuse, domestic abuse, and suicide should be given a trigger warning. Personally, I would also add in cancer (as someone who has had it, gone through chemo, and doesn't always like the way it's represented in books), certain mental health issues (such as schizophrenia or self-harm and depression) as well as cheating. These are things that most people in life have experienced at some point, so a lot of authors wouldn't agree they should have a trigger warning, but having talked to countless readers and authors, I disagree.

I've spoken to a reader recently who was traumatised by a book recommended to her, as "light relief" while she was undergoing a difficult time at home, because someone recommended a book and didn't warn her that it had a cancer storyline. Not just a cancer storyline, but a particularly brutal one, in a lot of detail. Which was the last thing she wanted, because she was trying to escape the trauma and emotional chaos of a close family member going through chemo. I, myself, have undergone chemo and don't like the way some authors portray it. To some it's a death sentence and there's no hope, their characters reject treatment, while others go the opposite route and make it a plot-toy that is mentioned but is never actually explored with any dignity or respect.

I also know readers who have suffered through being cheated on in marriage or in a relationship, who were devastated and unable to trust for a long time after. They're the kind of readers who hope for and need a trigger warning for cheating in books.

But, most importantly of all, there are the people who need trigger warnings for rape, assault, domestic abuse and more. People who have PTSD for military reasons, from an assault, from homophobic or racist hate crimes, people who have nightmares, flashbacks, and still cannot move past what was done to them or what they experienced. People who are struggling to get through from day-to-day. These are the people who desperately NEED a trigger warning.

Where should a trigger warning be placed?

No matter the extent of the content, as long as it's in there, or implied, it needs to be included in a warning. Whether this is in the front matter, a small note in the blurb, or used in the promo material with a single line of warning, it needs to be SOMEWHERE. Somewhere people will see it and can make a well informed judgment about whether they are able to read that book, whether it will be harmful to them to read it, or whether they can cope with the content.

Most importantly, there is ONE reason to use trigger warnings:

It is THEIR choice, not ours.

As authors, we write the stories that speak to us, but we have no right to force people to read our stories if it's going to be harmful to them or detrimental to their mental or physical health.

I've seen a friend suffer flashbacks, anxiety attacks, nightmares, and who had to make an emergency visit to their psychologist to get help to overcome the effects of reading a book that detailed what he had gone through in his own life, because there was NO warning. He was the kind of reader who was very careful never to place himself in a position to read books that could relate to his own experiences and life, who knew what reading those kind of books could do to him. But there was no warning and he ended up in severe mental distress, with physical and mental symptoms and suicidal thoughts, all because of a book.

Words have power. Authors sometimes forget that. We forget that we try to write realistic characters and, sometimes, we hit the mark far too well. We hit a nerve with people. That's the point of being an author, to touch a nerve, to strike an emotion, to make people feel something.

A trigger warning has nothing to do with ruining the plot, with exposing a huge plot point, or revealing too much. A trigger warning isn't a spoiler that will stop people from reading the book. In fact, it can draw readers to an author, because they knew that author cares, that they are open about the content in their books. A reader who doesn't need or want a trigger warning can skim it, if they want to. A reader who needs that warning can go into the book with their eyes open, knowing what to expect, or they can choose not to take the risk.

The truth is this: a trigger warning provides context, preparation, a chance for the reader to give their conscious consent to read about an issue that may affect them. The lack of a trigger warning cannot be undone. An author who doesn't provide a trigger warning for a book that should have it and doesn't, will NEVER be able to undo the damage done to a reader who desperately needed that warning. They will lose no readers for a trigger warning in a blurb, but they will lose a reader for books with no trigger warning when it's needed.

Which is why I'm such a devoted advocate of trigger warnings.

Trigger warnings are there for when we hit the mark. When we get it right. Because, a well placed trigger warning can save a life. And, to me, that's all that matters.



Teaser Tuesday: Underneath It All


Underneath It All, book 4 in the Decadent Series, by Elaine White


Underneath it all, he just wants to be normal.

#Decadent #lgbtq #indieauthor #mmromance



Source: http://smarturl.it/Decadent.Series1-4
The Traitor God by Cameron Johnston
The Traitor God by Cameron Johnston

Netgalley TBR


A city threatened by unimaginable horrors must trust their most hated outcast, or lose everything, in this crushing epic fantasy debut.

After ten years on the run, dodging daemons and debt, reviled magus Edrin Walker returns home to avenge the brutal murder of his friend. Lynas had uncovered a terrible secret, something that threatened to devour the entire city. He tried to warn the Arcanum, the mageocracy who rule the city. He failed.
Lynas was skinned alive and Walker felt every cut. Now nothing will stop him from finding the murderer. Magi, mortals, daemons, and even the gods – Walker will burn them all if he has to. 
After all, it wouldn’t be the first time he’s killed a god...

Source: http://www.goodreads.com/book/show/37837690-the-traitor-god
"“You're pressing too hard,” Bradley said in a low voice, from behind him.
Rory looked over his shoulder and was shocked to see him so close that, if he'd had the courage, he could have kissed him. “What?” he asked, not able to think clearly enough to remember what he'd said. Bradley was too close, smelled too good and his lips were just a little too far out of reach.
Unable to control his thoughts or his centre of gravity, he found himself drifting towards Bradley before he could stop it. Those lips curved into a smile, as two hands caught his waist and straightened his stance.
“Careful there, cupcake. You might headbutt your painting,” he mocked, shocking Rory back to reality with that unwanted wake up call."

Never Let Me Go, by Elaine White


The Prequel to The One That Got Away


Facts About Me: My 2018 TBR

I have LOADS of books on my TBR list for 2018. This post will feature some of the paperbacks and e-books that I've purchased over the years, that I really want to actually get read. I spent good money on buying them, but I always prioritise those that I've agreed to review and never seem to make time for those that I paid money for. Which seems kind of ridiculous. So, 2018 is my year of catching up on the ones I was desperate to read, paid for, and never got round to.


  • Descender, Vol. 1 and 2, by Jeff Lemire
  • The Queen of the Damned (Comic) 1-11, by Anne Rice
  • Amelia Peabody 1-20, by Elizabeth Peters
  • Amsterdam Assassin 1-4, by Martyn V. Halm
  • Awakened by Blood 1-3, by Marie Treanor
  • Cornelius Quaint Chronicles 1-6, by Darren Craske
  • Daisy Dalrymple 1-23, by Carola Dunn
  • Dan Shepherd 1-12, by Stephen Leather
  • Dark/Carpathian 1-27, by Christine Feehan
  • Dave Gurney 1-5, by John Verdon
  • Elders & Welders Chronicles 1-3, by Margaret Foxe
  • Inspector Montalbano 1-12, by Andrea Camilleri
  • Lady of Ashes 1-6, by Christine Trent
  • Peter Grant 1-5, by Ben Aaronovitch
  • Powder Mage 1-3, by Brian McClellan
  • Psy-Changeling 1-10, by Nalini Singh
  • Vera Stanhope 1-6, by Anne Cleaves
  • Miss Peregrine's Peculiar Children 1-3, by Ransom Riggs
  • Sidekicked 1-2, by John David Anderson
  • The Vampire Chronicles 1-3, by Anne Rice
  • Dead Camp 1-5, by Sean Kerr
  • Dusk, by Tim Lebbon
  • Detective Murdoch 1-8, by Maureen Jennings
  • Somebody to Love, by Aurelia Frey
  • 13 Ways to Midnight, by Rue Volley
  • Tales from Verania 1-3, by T.J. Klune
  • Swords of Riverside 1-2, by Ellen Kushner
  • The Maze Runner 1-3, by James Dashner
  • City of the Damned 1-3, by Marie Treanor
  • Willow, by Wayland Drew
  • Beastkeeper, by Cat Hellisen
  • Inheritance Cycle 1-4, by Christopher Paolini
  • Victoria Speedwell 1-2, by Deanna Raybourn
  • The Bone Witch, by Rin Chupeco


Of course, there will be a mountain of solo novels that I want to read, but since 2018 is my year of catching up, I plan to do the series books first. There are a lot of comics that I also want to read, since I've been buying quite a few Humble Bundle's ever since I discovered the site last year. Plus, comics are great for fitting in when you don't have a lot of time. A comic of 150 pages can be read in just half an hour, thanks to the fact that all the world building and detail is put into the illustrations, so you can fit in a whole lot of comics in a short time than you can short stories or novels.


Teaser Tuesday: Right King of Wrong


Right Kind of Wrong, book 3 in the Decadent Series, by Elaine White.


Even bad boys can get their hearts broken.

#Decadent #lgbtq #indieauthor #mmromance



Source: http://smarturl.it/Decadent.Series1-4